Poem: "The Two Cottages"
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Narrated by Alex Wyndham
Sadly, I couldn’t get on with this, though I got about halfway through it before I gave it up. It mixes the traditional Scottish ballads of Thomas the Rhymer and Tam Lin with aliens instead of the fae being the bad guys. Anyone who knows me knows I’m a sucker for these two ballads in particular, but this didn’t hit the mark for me. I also didn’t get on well with the narrator who seemed to be reading it all with a kind of sneer in his voice. I’ve listened to other samples of his work and when reading non-fiction, I don’t hear that at all.
A short exploration of time travel in which you don’t have to worry that stepping on a butterfly will cause your grandfather to die in infancy. Yes time travel causes the future to change, but not OUR future. It causes the timeline to branch and a new future to be created. Thus we can time travel as much as we like and our world won’t be affected. And we never find out what happens on those branched worlds because we can never to back to take a peep. Fascinating stuff, all explained to the reader by the man who pushes the button to send tourists on their journey, and receives them back one second later. They have a choice of three return windows, either in 3 days, 9 months or 27 years. Thus they might return only 3 days older, or if they choose the final window, 27 years older. Or they can choose to stay and live their changed timeline. It’s all very fascinating, reading like a great setup, and then there’s a twist at the end. A short read but a fascinating one.
Narrated by Elizabeth Knowelden
Edith Worms, secret writer of detective fiction, is the oldest daughter of a Victorian clergyman who learns he has inherited Wormwood Abbey, in Ormsdale, Yorkshire, currently inhabited by his two nieces after the sudden and tragic deaths of their father and brother. The family travels to the Abbey to view it and make provision for the two orphaned girls, not intending to stay there, but there are obvious secrets that Edith begins to unravel. Who is the clingy neighbour, Drake, and why is he always hanging around? What is the lawyer who comes up from Londoin looking for? And what is the salamander-like creature that Edith makes into a pet? Ye clue is in the family name, Worm, or should that be Wyrm? The reader is very plummy, which probably suits the character of Edith perfectly, but after a while it was a bit wearing on the ear, but at a few seconds under five and a half hours, it works. I probably won’t read on in the series.
Mister Rogers says that when terrible things happen, to look for the helpers.

Terrible things are happening. I’m upset. And I’m angry. And I’m so sad.
While I am looking for the helpers, I am also doing my best to be a helper.
I have to be honest: when a domestic terrorist organization, created and unleashed on us by our own government, are terrorizing, tear-gassing, kidnapping, and murdering with impunity, the way I help feels pretty pointless.
It feels woefully inadequate to me, but I entertain, I tell stories, I help you recover your hit points. It’s what I know how to do, and it’s what I do best. And I keep reminding myself that if I can make something that helps someone else create the space I have when I read a book or listen to an album, or whatever I’m doing to rest, then I have to do that. I can’t not do that. This is my purpose. I entertain, especially when it feels like entertaining is less important than something other people need entertainment to get a break from doing.
I want to be crystal clear: I am not comparing myself to anyone, or suggesting that what I do is equivalent, but we all do what we can, right? I’m doing my best, I think.
What I do right now, and what I hope to do until I retire, is tell you stories that help you create a bit of safe space to just … be … for a minute, a place where you can recover some hit points, while you listen. Today, I went to the studio, and told you a story that you will hear next week. I was so grateful to have a break of my own. I loved doing this story. It was so satisfying to focus on how I chose the narrator’s emotional point of view, to find my own narrative pace, to notice something in the narrative that I hadn’t, before. To feel that indescribable thing performers only feel in our bodies when we perform.
It was a privilege and a blessing, all made possible by authors who said yes, a team of people who believe in me, and so many people I will never meet, who trust me with their time and attention, week after week.
I am so grateful. I will continue to do my best.
As I was about to click publish, I noticed that there are 1000 new subscribers to my posts. Welcome. If you’d like to get my posts in your email, here’s the thing:
Audiobook narrated by Katie Villa
This is the third Unholy Island book, following on from The Ward Witch and the Book Keeper. It's set in the same universe as her Crow Investigations books and there is a little bit of crossover, but not enough to confuse a new reader. THe island, Unholy Island, is off the coast of Northumberland, joined to the mailland at low tide by a causeway. It's a sanctuary for magical misfits and people hiding from their past. In the first book. Luke came to Unholy Island looking for his missing brother, and met a whole cast of characters including Esme Gray. In the second book he became a permanent resident, taking over the island's magical bookshop. In this book, the island's mayor goes missing, Luke's twin, Lewis, finally turns up, but he's not quite what he seems to be. Esme and Luke's new relationship comes under strain when she seems to be the only one on the island immune to Lewis's particular form of attraction. I've enjoyed this whole trilogy. It has a certain cosiness without sacrificing tension. Katie Villa's reading is easy on the ear.
Audiobook narrated by Carl Prekopp,
Nathan Byrn is half Blood Witch and half Fairborn. His father is the world's most dangerous Blood Witch and has always been absent from Nathan's life. After the death of his mother, Nathan has been raised by his gran along with three half-siblings. The council of Fairborn witches wants to use Nathan to trap and kill his father, and as a result they make Nathan's life a misery. He ends up fostered out to a council witch, kept in a cage while being 'educated.' If Nathan doesn't receive three gifts on his 17th birthday he won't come into his powers, and will likely go mad and die. He must escape and find the Blood Witch Mercury, but her price for helping him might be more than he's willing to pay. Carl Prekopp reads this well, and voices Nathan vry realistically. Unfortunately much of this is Nathan being beaten, tortured or otherwise made miserable, and there's a bit too much of that before he finally makes his escape. Even so life is not easy. This is the first in a trilogy. It was an interesting listen but I probably won't seek out the other two books.


Only a rank sucker will think of taking two peeks at Dave the Dude's doll, because while Dave may stand for the first peek, figuring it is a mistake, it is a sure thing he will get sored up at the second peek, and Dave the Dude is certainly not a man to have sored up at you.