What I think of as the "Harry Potter Effect" - a renewed interest in YA or children's fantasy - has resulted in the welcome recent republication of authors who had been well-known in certain circles, like DWJ, or well-known from the past, like Edward Eager. It has also seen the reprinting of some rather more obscure but equally deserving works, like A String in the Harp by Nancy Bond or Elizabeth Marie Pope's The Perilous Gard. I've been thinking for a while of beginning a series of posts on old forgotten treasures from my own collection - not necessarily SF or fantasy, but books I loved that I wondered if anyone else had heard of, that I think deserve a bigger audience and potential reprinting. So, I thought I'd launch that series here, and invite others on my flist or from the bigger
bittercon community, to link comments to posts about their own forgotten but deserving treasures.
My first oldy but goody is Ellen Kindt McKenzie's
Drujienna's Harp, which begins on a day in an unnamed city in what seems to be our world - indeed I've always assumed it was San Franciso. It is uncharacteristically hot, and the sky is a strange translucent pink. Tha and her brother Duncan visit a curio shop and pick up a bottle that the shop-owner warns them has a curse on it. They are instantly transported to another world.
Of relevance to one of
sartorias's panel topics on world building, this is one of the most distinct and well developed worlds I remember encountering in children's fantasy. It has almost a quality of the surreal, with its pink sky, killing winds, geographic areas spreading out in concentric circles from a mysterious and deadly mound in the center. It is also unusual in children's fantasy for its bleak picture of political totalitarianism. The inhabitants are kept in a kind of controlled state of unknowing; asking too many questions is punishable by imprisonment or death. Yet there are mysterious Histories and a Prophecy, suppressed but not forgotten, that hint of "two" who will come and put the world right - or destroy it. This book deals with many extremely serious and important themes: ignorance, real or feigned, the importance not so much of physical courage but of moral convictions. Tha is a strong and believable heroine and there is a cast of well-drawn supporting characters, from the morose Eshone and even more grim Acheron to the delightful "Know-nothing" Zacapoos.
Like Victoria Walker's equally obscure but not entirely forgotten work, The Winter of Enchantment, this fascinating novel is now listed on ABE with absurdly high prices. I used to borrow it time and again from the library, and managed to snag a copy a few years ago at a less than astronomical price, and I treasure it. Just writing about it now makes me think I should reread it again - I suspect it will not have lost its magic.
So now it's your turn! How many of you have read any of the books I mention, especially this one? What are your own forgotten treasures? And don't forget to write a review of your favourite and link it here.
My first oldy but goody is Ellen Kindt McKenzie's
Drujienna's Harp, which begins on a day in an unnamed city in what seems to be our world - indeed I've always assumed it was San Franciso. It is uncharacteristically hot, and the sky is a strange translucent pink. Tha and her brother Duncan visit a curio shop and pick up a bottle that the shop-owner warns them has a curse on it. They are instantly transported to another world.
Of relevance to one of
Like Victoria Walker's equally obscure but not entirely forgotten work, The Winter of Enchantment, this fascinating novel is now listed on ABE with absurdly high prices. I used to borrow it time and again from the library, and managed to snag a copy a few years ago at a less than astronomical price, and I treasure it. Just writing about it now makes me think I should reread it again - I suspect it will not have lost its magic.
So now it's your turn! How many of you have read any of the books I mention, especially this one? What are your own forgotten treasures? And don't forget to write a review of your favourite and link it here.
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One I adored when I borrowed it repeatedly from the library as a child was "Merlin's Magic" by Helen Clare (aka Pauline Clarke of "The Twelve and the Genii" fame). It was based on the intriguing idea that a number of gold tokens were spread through time and literary space and a group of children had to recover them. The one that sticks most in my mind is the boy who had to go to Xanadu and recover a token from Kubilai Khan and then escape via Alph the sacred river through the sunless sea. Long before I knew the poem the imagery had a powerful impact on me. I've not been able to find it on Abe even!
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But the childhood favorite I'd most like to see reprinted is Palmer Brown's Beyond the Pawpaw Trees, about a girl who is sent off to visit an aunt who lives on a mirage in the desert. It has tiny, intricate, tasselly pen and ink illustrations, and bits of odd poetry and songs. It's another one that's unobtainable except at exorbitant prices online.
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I'm also glad that the Harry Potter effect has meant that Joan Aiken's books have nearly all been reissued :)
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I always loved The Sherwood Ring! It's delightful. I agree that it's not quite as good as The Perilous Gard, but is one of my "old favourite comfort reading" selections :)
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This story doesn't have great worldbuilding, what it has is fascinating character, especially on the kids-eye view. Through the closet to a secret world, where kids can pretend at being adults , . . . oh, it's just a wonderful story. I used to check it out over and over again from the library, from age nine on, until their copy wore out and they did not replace it.
I found a used copy only with difficulty, some time back.
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My contribution here is Sheila Moon's trilogy, Knee Deep In Thunder, Hunt Down the Prize and Deepest Roots. They're technically in print, but they're not easy to find. My elementary school library only had Hunt Down the Prize. I read it repeatedly before discovering Knee Deep in Thunder at the public library. (Deepest Roots didn't come out until nearly ten years later.)
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I loved the *places* in it; they were so vivid: The Shophosian mists, in particular, but also the cracked dry place--what was it called?--before they reached the ocean.
Yes, it was marvelous; completely unlike anything else I've ever read.
She's written some other books which are quite good too: Taash and the Jesters and then a prequel that I liked even more, called Kashka--they are more traditional fantasy stories, but they have the same **humaneness** to them--concern for people more than ideas.
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Did you read the prequel?
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What a great sounding title: Knee Deep in Thunder.
I'm going to try to get it through interlibrary loan--I like the sound of that chant
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It was hugely long, and it lost steam (at least, so it seemed to me, as a young reader) near the end--or got confusing, or I got confused--but it was very, very vivid. I remember the heroine; I remember her scaring away bandits by grabbing a torch by its burning end, as if it didn't even hurt her--and then later having her hand healed by the tears of a phoenix-like bird.
I can't say it's a favorite of mine, but I remember it made an impression on me.
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They loved it as much as I did--my map-oriented son did a map of the world ... which we've now lost, to my great chagrin.
You'll like Kashka a lot :-)
Then she did another story more recently, which I just read, called A Bowl of Mischief which is more like a fable--like a tale that would get told in one of the other stories.
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*sigh*
Glad they're back out there now :-)
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Please go ahead and post about these. I don't have time to reread them just now, and I'd want to before writing about them because my memory is vague and fragmented.
The third book was published well after the edition of the first two that I originally read, so it's quite possible that it hadn't been published when you first read Knee Deep in Thunder. I don't think that Deepest Roots ever came out in a library edition, just the trade paperback, so it's quite likely that many libraries never added it.