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intertext: (deerskin)
Sunday, November 4th, 2007 08:28 am
What I think of as the "Harry Potter Effect" - a renewed interest in YA or children's fantasy - has resulted in the welcome recent republication of authors who had been well-known in certain circles, like DWJ, or well-known from the past, like Edward Eager. It has also seen the reprinting of some rather more obscure but equally deserving works, like A String in the Harp by Nancy Bond or Elizabeth Marie Pope's The Perilous Gard. I've been thinking for a while of beginning a series of posts on old forgotten treasures from my own collection - not necessarily SF or fantasy, but books I loved that I wondered if anyone else had heard of, that I think deserve a bigger audience and potential reprinting. So, I thought I'd launch that series here, and invite others on my flist or from the bigger [livejournal.com profile] bittercon community, to link comments to posts about their own forgotten but deserving treasures.

My first oldy but goody is Ellen Kindt McKenzie's Drujienna's Harp )
intertext: (deerskin)
Tuesday, June 5th, 2007 11:57 am
[livejournal.com profile] a_d_medievalist was writing about how she's just always been an sf/f fan without even thinking about it, partly through her early television viewing habits. Like many others, she cites Andre Norton as her first conscious "sf" reading. (I think mine might have been Eleanor Cameron's Mushroom Planet books, if they count).

Anyway, that got me to thinking, about how one's reading tastes are shaped, and all that "give me a [girl] before the age of seven" stuff, and what was I reading at seven and at fourteen, and have I always been an sf/fantasy reader even if I didn't know it?

Well, yes.

I was reading fantasy before it was a "genre," and before YA was even invented as a marketing tool.

At seven, my mum was reading me The Lion, the Witch and the Wardrobe out loud, and I wept when Aslan died. My other favourite books were the Arthur Ransome series. That trend continued. I seem to have had parallel affections for "magic" and "realism" - perhaps the mindset that seems to have so many readers of sf also reading Patrick O'Brien or Dorothy Dunnett. Through my elementary years, my favourite books were the Narnias, the Moomins, and the Carbonels. My absolute favourite book, if I had been asked at nine years old, was Alan Garner's The Wierdstone of Brisingamen. I also loved Arthur Ransome and the Little House books, and Noel Streatfield, so there you go.

At twelve, I discovered Tolkien, and I was lost. I also read Ursula Le Guin's A Wizard of Earthsea around that time (the next two in the trilogy came out when I was in my early teens; Tehanu not till I was in my 30's). I had been reading Lloyd Alexander as well, and Joan Aiken, so by this time my tastes were getting pretty much locked into the fantasy area. Also Over Sea Under Stone by Susan Cooper came out around that time. Boy. Someone was saying something about this being a "golden age" for YA or children's fantasy - what were the 60's and 70's, for heaven's sake???

I remember my first real experience of science fiction rather than fantasy (other than the Mushroom Planet books, that is): Ray Bradbury's S is For Space, that my mum got me one weekend from the library. I was completely captivated, and hooked, though I've never been as much of a "hard" science fiction reader as I am a fantasy reader.

I can't remember exactly when I first read Patrica McKillip, but The Forgotten Beasts of Eld appeared in paperback somewhere in my late teens, early twenties, and I was reading the Riddle Master trilogy when I was at university. I remember because the man I was in love with then, the great love of my life, gave me the last book in the trilogy when it came out, and he had read it first, and he teased me by pretending to tell me how it was all going to turn out... Oh, memories.

Old Prufrock may measure his life in coffee spoons; I measure mine in books.
intertext: (deerskin)
Saturday, May 26th, 2007 05:23 pm
For those on my flist not able to join [livejournal.com profile] oursin and [livejournal.com profile] brisingamen at Wiscon, or who did not go and have fun at Kalamazoo (or even those who did!) but who would like to participate in a Con panel, there is lively discussion at [livejournal.com profile] papersky, [livejournal.com profile] sartorias and [livejournal.com profile] katenepveu and others coordinated in the community [livejournal.com profile] bittercon. Here's my panel topic:

"I'm So Special" - Wish Fulfillment Fantasy and Science Fiction

From Harry Potter to Heroes, there's a whole sub-genre of SF in which the "outsider" suddenly discovers that he or she is not an outsider but a member of some elite class of beings (wizard, superhero, Herald). There is a sub-genre of this trope in which the person becomes special by being CHOSEN by some kind of sentient animal - think particularly of the works of Mercedes Lackey and Anne McCaffrey.

My question is not so much about the popularity of such a class of novels - I think the attraction is fairly obvious - but whether any of these authors, or others, have dealt with the notion of being the one NOT chosen. J K Rowling never really allows her characters to interact with "normal" Muggles, only the dreadful members of Harry's family - I'd love to read something from the perspective of such a character. There are several Pern novels in which some of the suspense is derived from the viewpoint character not being chosen by a dragon when expected to be so, but I believe that all of them end up with that character being chosen in the end.

I've often thought of writing something called "The Unchosen" from the perspective of someone in that position who feels, perhaps, bitter (hey - Bittercon!) and excluded. Do any works exist in which the main character is "normal" within a society such as I've described and comes to terms with it?

A related question is that these, with the possible exception of Harry Potter, seem to fall into the category of "guilty pleasure" reading - basically not terribly good books that are nevertheless fun escapism. Are there any "good" works, by which I mean books that you don't have to apologize for reading, that fall under this category? And if not, why not?