![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
Our local paper has been publishing specially commissioned poems by local writers. This has been a real treat this week, and I particularly liked these ones by Patrick Lane and Lorna Crozier.
Patrick Lane, Special to Times Colonist
Published: Thursday, December 28, 2006
Thinking about Christmas and wondering
why you've never written one,
a Christmas poem, you mean, something
about birth and death, something
about stables and animals, the soft smell
of cattle in winter, the bloom of steam
rising from their horns, and chickens,
surely there'd be chickens there, roosting,
quiet, even the rooster though he'd have an eye
on the sun coming, that first light breaking
over the hills, and a birth, yes, a baby, sure,
and you wonder at that, remembering
the time you, only twenty, a first-aid-man
in a milltown, delivered a baby up north,
that slipperiness, the shout the baby gave
when he took in a whole world with his breath,
that kind of miracle, though death
wasn't the first thing in your mind
like that birth in the stable in the story
you were told when you were little,
a holy child, and which now you almost never
think of because you know it's only a story,
a myth really, something made up to keep
small children happy, and adults worried,
and anyway it's been written
about a hundred thousand times,
a million sentimental poems about Christmas
and you swore a long time ago
you would never go that way, but still
there was a birth and there was a child
and even if the stable was a wishfulness
with its animals and birds, its goats and pigs,
its chickens and horses, the hay laid down
and a blanket hung to keep out the cold
because it gets cold at Christmas, even
in the desert, and a woman, yes,
there had to be a mother who took up
the child to her breast and fed him, and
a father too, a little afraid, a little unsure
of what to do, helpless like men are
at ordinary miracles, like you were
up north, that baby sliding out of the woman
and you holding it for a moment, the woman
saying, so soft you almost didn't hear
her quiet, Give him to me, and you did
and you sat there beside her and said nothing
only watched that small face pressed against her,
young as you were, and you were young then,
saying nothing, the blood on your hands
her blood, not his, a dust-red, drying
in the air and then her looking at you with
something in her face you didn't understand
not then, not now, her tears without crying,
and the quiet in her after such a birth, her
so poor she wouldn't go out to a doctor
and instead chose you, and what it has to do
with Christmas, you don't know, but it does
somehow because of her look and the child
and the blood on your hands, and the night,
and everything so quiet in that room, and
not knowing if what you've written is enough
or whether it's even about Christmas,
but it's as close as you can get to it, her look
and the baby lying there, quiet, and the years.
MIDNIGHT WATCH
At midnight on Christmas Eve, it is said,
the animals in the barn will kneel:
the grey horse with spotted haunches,
the two pygmy goats on their mountain of bales,
the old duck with one lame foot, and all the dogs
you've ever known, who'll become this night
one dog -- thick, black coat and a blaze down his nose;
in the barn, it is said, the animals will kneel.
What you need is faith, something you've had
little of all your life. What you need is
the stubborn, singular belief
that if you pull on your coat and boots
and walk to the barn in the steady rain or snow,
if you drag the chopping block to the window
and peer inside, the animals will be on their knees,
their breath a wreath of fog around their heads.
Only the cat will sit on the straw outside their circle,
one ear turned to the others, one towards you,
as if she's on watch, as if she's meant to give a warning.
Or perhaps she'll be there, halfway between
the animals and you, so you won't feel unblessed
in your strange human skin, so you won't feel alone,
peering into a darkness you can't see through,
somewhere a star coldly shining.
The latter will appeal particularly to cat lovers.
Patrick Lane, Special to Times Colonist
Published: Thursday, December 28, 2006
Thinking about Christmas and wondering
why you've never written one,
a Christmas poem, you mean, something
about birth and death, something
about stables and animals, the soft smell
of cattle in winter, the bloom of steam
rising from their horns, and chickens,
surely there'd be chickens there, roosting,
quiet, even the rooster though he'd have an eye
on the sun coming, that first light breaking
over the hills, and a birth, yes, a baby, sure,
and you wonder at that, remembering
the time you, only twenty, a first-aid-man
in a milltown, delivered a baby up north,
that slipperiness, the shout the baby gave
when he took in a whole world with his breath,
that kind of miracle, though death
wasn't the first thing in your mind
like that birth in the stable in the story
you were told when you were little,
a holy child, and which now you almost never
think of because you know it's only a story,
a myth really, something made up to keep
small children happy, and adults worried,
and anyway it's been written
about a hundred thousand times,
a million sentimental poems about Christmas
and you swore a long time ago
you would never go that way, but still
there was a birth and there was a child
and even if the stable was a wishfulness
with its animals and birds, its goats and pigs,
its chickens and horses, the hay laid down
and a blanket hung to keep out the cold
because it gets cold at Christmas, even
in the desert, and a woman, yes,
there had to be a mother who took up
the child to her breast and fed him, and
a father too, a little afraid, a little unsure
of what to do, helpless like men are
at ordinary miracles, like you were
up north, that baby sliding out of the woman
and you holding it for a moment, the woman
saying, so soft you almost didn't hear
her quiet, Give him to me, and you did
and you sat there beside her and said nothing
only watched that small face pressed against her,
young as you were, and you were young then,
saying nothing, the blood on your hands
her blood, not his, a dust-red, drying
in the air and then her looking at you with
something in her face you didn't understand
not then, not now, her tears without crying,
and the quiet in her after such a birth, her
so poor she wouldn't go out to a doctor
and instead chose you, and what it has to do
with Christmas, you don't know, but it does
somehow because of her look and the child
and the blood on your hands, and the night,
and everything so quiet in that room, and
not knowing if what you've written is enough
or whether it's even about Christmas,
but it's as close as you can get to it, her look
and the baby lying there, quiet, and the years.
MIDNIGHT WATCH
At midnight on Christmas Eve, it is said,
the animals in the barn will kneel:
the grey horse with spotted haunches,
the two pygmy goats on their mountain of bales,
the old duck with one lame foot, and all the dogs
you've ever known, who'll become this night
one dog -- thick, black coat and a blaze down his nose;
in the barn, it is said, the animals will kneel.
What you need is faith, something you've had
little of all your life. What you need is
the stubborn, singular belief
that if you pull on your coat and boots
and walk to the barn in the steady rain or snow,
if you drag the chopping block to the window
and peer inside, the animals will be on their knees,
their breath a wreath of fog around their heads.
Only the cat will sit on the straw outside their circle,
one ear turned to the others, one towards you,
as if she's on watch, as if she's meant to give a warning.
Or perhaps she'll be there, halfway between
the animals and you, so you won't feel unblessed
in your strange human skin, so you won't feel alone,
peering into a darkness you can't see through,
somewhere a star coldly shining.
The latter will appeal particularly to cat lovers.